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Adobe Premiere Pro 250

Adobe Premiere Pro 250

Overview

Manhattan Edit Workshop
119 W 23rd St
Ste 700
New York, NY 10011
Register for Course
Monday, February 25, 2019 - 5:00am
$1,095

Details

This workshop is designed for the experienced editor who has either Avid, FCP or other equivalent editing experience. Students will go step-by-step through the entire editing process in Premiere Pro, from file creation all the way through output. Along the way theyll learn the ins-and-outs of file management, essential and intermediate editing techniques, color correction, audio mixing and repairing, titling and effects, and delivering their video onto tape, the web, and mobile devices. Theyll learn to work within the Adobe ecosystem as well, getting up to speed on time saving tools such as Dynamic Link. Who Should Attend: This class is designed for Avid Media Composer Editors FCP7 Editors who wish to learn Premiere. Prerequisites: Prior knowledge of Avid editing systems, FCP7 or other comparable software program. Note: The curriculum comprises of activities typically covered in a class at this skill level. The instructor may, at his/her discretion, adjust the lesson plan to meet the needs of the class. Each student has their own workstation. You should bring pen/paper for notes Adobe Premiere Pro 250 Premiere Pro for Experienced Editors (2 Days) A New Way of Editing Format Agnostic Timecode Mercury Engine Creative Cloud System Design Overview of a Workspace Setup and Organizing Optimized Setup Interface Nuances Media Setup Outside of Premiere Pro Project Setup Import Organization Suite Relations Speech and Script Technologies Editing Techniques Editing Essentials Timeline Finesse Basic Trimming Advanced Timeline Editing Advanced Workflows Multi-Cam Editing Audio Mixing Strategies Listening Environments Gain and Levels Mixing Sound Mixers and Submixes Audio FX Adobe Audition Advanced Compositing and Effects Effects Processing Fixed and Standard Effects Animating Effects Saving Presets The Warp Stabilizer Using the Title Designer Keying and Compositing Opacity Blend Modes Dynamic Link Color Correction Fundamentals of Color Corrections Primary Color Corrections Secondary Color Corrections Shot Matching Looks Legalizing Video Direct Link with Adobe SpeedGrade Exporting Strategies Codecs Common Outputs The Export Media Dialog Box Compression Tips Adobe Media Encoder Workflow Management Export Media Archiving a Project

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